[Oddworld Abe voice]Hello![/Oddworld Abe voice]
I'm with Raven on this one, it's always great hearing friends talk on topics they're knowledgeable and/or passionate about, even if some things may go over my head
[slig voice]Hi![/slig voice]
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Now I'm curious what anime you're talking about?
Fate/Kaleid
As you can tell by the name, it's a Fate/Stay Night spin off. Though it takes a bit of a turn into Magical Girl Show for the first few seasons before it decides to be Fate again.
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oh, well, $#!^, and here I was thinking "good for them" for going back to something uniquely Magic and not [modern take on cultural mythology we've all seen #7,341]
It's still pretty much Modern Take of Cultural Mythology. It's just the culture in question is Pop Culture and they're superheroing all over everything.
Which is a substantial departure from the Weatherlight's approach being more grounded and less explicitly about people with superpowers going around righting wrong.
Biggest problem it has really boils down to the fact that they imbued absolutely no depth into any of the run up to this and dragged a ton of characters with razor thin motivation into plots that are no better for their inclusion in them.
So, in other news though, going back to the esoteric talk of painting:
Someone else around the store finally actually could talk about painting with me. Everyone else that frequents the place doesn't really understand any degree of nuance or technique involved, since they either buy the models painted or they are… unconcerned with the technical aspects.
But in any condition, it was actually really satisfying to be able to genuinely talk shop, in a way I’m not sure I can quantify, but it meant a lot more than I thought it would. He was also pretty damn impressed with my brush control, I think genuinely he was surprised at the level of quality considering how short a time I’ve been working. His only real criticism was in dealing with the metallics, but that’s no small part a shortage of materials, so I take no ownership over that foible.
I turned over the second batch of my current commission, putting the numbers 22/42 I’ll post a picture of the one I think turned out best out of the most recent batch. That said, I was somewhat… a lot bothered by the fact that the guy I’m doing this work for tried to “grime” up and weather the models, because consequently he ruined the paintjob on like half the ones I already turned over. (Rule 1, don’t do that kind of crap on more than one to test if you’re not sure what you’re doing) Suffice to say, that bugged the actual hell out of me, but at the end of the day, they’re his models. Also, his slapdash attempt at fixing them looks like ass, I’m fairly annoyed, but he’s determined he really shouldn’t have done that.
Beyond that, the rate I ended up charging for the work I’m doing on the miniatures ends up coming out to .92 cents, but I’m also effectively getting paid in experience and reputation, so… I set that rate myself, not like I can gripe about it.
However, the flip side to that is now that I’ve delivered positive results, he wants me to paint a $65 figure, and he has 2. My payment for that is the second model, so that’s a pretty substantial value demand increase. (Actually, it’s damaged, so the real value is closer to like $40, but whatever, it’s still a huge turn on that.)
I have 1 more commission confirmed, and then 1 guy interested in having me paint his army, but he’s not provided any actual commitment, only the nebulous “when I get paid” he’s interested. I have a friend of mine also interested in me painting one of his, but that’s low key also me wanting to paint one of his pieces. I’m being mildly insidious with that, under the assumption once I turn in mind blowing work, it’ll bother him the rest of his stuff doesn’t look as good.